In the second half of the eighteenth century, scientific demonstrations, sponsored by Benjamin Franklin, the Midlands-based Lunar Society, and others, were popular entertainments that said as much about social order as they did about science and technology. Depicted in paintings and popular prints, the social message of these demonstrations was elevated even more. Visual references created witty social commentary, and invited a variety of audiences to find relevance in the artworks. In this talk, Prof. Louise Siddons will take a close look at mezzotints by Valentine Green after Joseph Wright and others, asking how changing audiences affected the interpretation of the imagery in his prints.
Dr. Siddons is Professor in Art History at Oklahoma State University whose research interests focus on the history of printmaking and photography, particularly in relation to representations of race, racialization, gender and sexuality. Her Fulbright award supports the completion of her book manuscript which will examine American photographer Laura Gilpin’s 1968 book, “The Enduring Navaho.” Siddons will examine her position within the intersectional politics of twentieth-century photography, Indigeneity and queerness, as well as discuss the propositions Gilpin made for both queer and Native self-determination and sovereignty through the book’s visuals.
Watch the full talk below:
https://benjaminfranklinhouse.org/wp-content/uploads/2021/06/A-philosopher-shewing-an-experiment-on-the-air-pump.jpg781909Megan Kinghttps://benjaminfranklinhouse.org/wp-content/uploads/2018/05/bfh_web_logo_white_retina.pngMegan King2021-06-07 15:59:502021-10-28 05:59:30Fulbright Lecture: Spectacle and Social Order in ‘Scientific’ Prints
To celebrate the launch of our virtual exhibition, Franklin in Portraits, join us for a series of talks about Benjamin Franklin’s most famous portraits. We continue our series with a discussion on this Charles Willson Peale portrait painted in 1785. It was ultimately made for his collection of portraits of Famous Americans for his museum in Independence Hall. Karie Diethorn, Senior Curator and Chief of Museum Branch of the Independence National Historical Park in Philadelphia, will discuss with Dr George Boudreau the significance of this portrait and the Peale Museum. Franklin and Peale first met in London in 1767 and formed a friendship over their shared interest in natural sciences.
Watch here:
Karie Diethorn has a Bachelor of Arts degree in history and medieval studies from Penn State University and a Masters degree in American history and a certificate in museum studies from the University of Delaware.
Since 1994, she has managed Independence National Historical Park’s museum operation as chief curator. She has taught historic site management as an Associate Professor in the University of Delaware graduate museum studies program and museum collections management as a Visiting Lecturer in Philadelphia’s University of the Arts graduate museum studies program. She is co-author of the catalog History of the Portrait Collection, Independence National Historical Park (2001) and a contributor to the anthology of essays in Quaker Aesthetics, Reflections on a Quaker Ethic in American Design and Consumption (2003). Her most recent exhibit project is “People of Independence 1750 to 1840”, the permanent fine arts at Independence National Historical Park.
Dr George Boudreau is a cultural historian of early Anglo-America, specializing in the history of Philadelphia, the work of Benjamin Franklin, material culture, and public history. Boudreau was the founding editor of the journal Early American Studies, and has won six major grants from the National Endowment for the Humanities. He was a fellow at Fred W. Smith National Library for the Study of George Washington in 2019-20 and has previously completed fellowships at the Jamestown Rediscovery and the Omohundro Institute for Early American History and Culture at Williamsburg, the International Center for Jefferson Studies at Monticello, the Library Company of Philadelphia, Winterthur Museum and Library, the American Philosophical Society, and the David Library of the American Revolution. A 1998 Ph.D. from Indiana University, he is currently senior research associate at the McNeil Center for Early American Studies at the University of Pennsylvania and is a member of the Academic Advisory Panel for Benjamin Franklin House.
https://benjaminfranklinhouse.org/wp-content/uploads/2021/05/peale.jpg600489Megan Kinghttps://benjaminfranklinhouse.org/wp-content/uploads/2018/05/bfh_web_logo_white_retina.pngMegan King2021-05-11 10:18:222021-07-19 12:18:49Franklin in Portraits: Charles Willson Peale and His Museum
During the final years of the American Revolution, the Royal Navy tried to impress a formerly enslaved man named James Graham into military service. Graham’s legal battle to avoid conscription made its way to the Court of Session, Scotland’s supreme civil court, where the judges had to decide whether or not Graham’s past life as an enslaved mariner could be used to justify service as a free man to king and country.
In this talk, Dr. James P. Ambuske, Digital History at George Washington’s Mount Vernon and co-director of the Scottish Court of Session Digital Archive Project at the University of Virginia Law Library, will discuss Graham’s journey from slavery to freedom and the questions that his case raised in an increasingly complicated revolutionary world.
https://benjaminfranklinhouse.org/wp-content/uploads/2021/03/Stewart-v.-Graham-1782-e1617036854516.png486496Megan Kinghttps://benjaminfranklinhouse.org/wp-content/uploads/2018/05/bfh_web_logo_white_retina.pngMegan King2021-03-29 17:56:392021-05-26 13:54:58Virtual Talk: The Trials of James Graham in the Revolutionary Atlantic World
To celebrate the launch of our virtual exhibition, Franklin in Portraits, join us for a series of talks about Benjamin Franklin’s most famous portraits. We continue our series with a discussion on the differences between two versions of the same portrait: Benjamin Franklin by David Martin and the copy made by Charles Willson Peale in 1785, given to the American Philosophical Society. The original portrait by Martin was commissioned by Robert Alexander of the firm of William Alexander & Sons, in Edinburgh. It is meant to represent Benjamin Franklin as an Enlightenment figure and English gentleman. It is also one of the rare portraits done during his time in London while he was living at 36 Craven Street (Benjamin Franklin House). Join Dr. Janine Yorimoto Boldt and Dr George Boudreau for a discussion on the differences between the two paintings and what these differences symbolize for Early American portraiture.
Dr George Boudreau is a cultural historian of early Anglo-America, specializing in the history of Philadelphia, the work of Benjamin Franklin, material culture, and public history. Boudreau was the founding editor of the journal Early American Studies, and has won six major grants from the National Endowment for the Humanities. He was a fellow at Fred W. Smith National Library for the Study of George Washington in 2019-20 and has previously completed fellowships at the Jamestown Rediscovery and the Omohundro Institute for Early American History and Culture at Williamsburg, the International Center for Jefferson Studies at Monticello, the Library Company of Philadelphia, Winterthur Museum and Library, the American Philosophical Society, and the David Library of the American Revolution. A 1998 Ph.D. from Indiana University, he is currently senior research associate at the McNeil Center for Early American Studies at the University of Pennsylvania and is a member of the Academic Advisory Panel for Benjamin Franklin House.
Dr. Janine Yorimoto Boldt is art historian and cultural historian specializing in early American visual culture. She is currently the Associate Curator of American Art at the Chazen Museum of Art at the University of Wisconsin-Madison. From 2018-2020 she was the Andrew W. Mellon Foundation Postdoctoral Curatorial Fellow at the American Philosophical Society where she was the lead curator for the exhibition Dr. Franklin, Citizen Scientist and co-curator for the 2019 exhibition Mapping a Nation: Shaping the Early American Republic. Boldt received her PhD in American Studies from William & Mary and her scholarship focuses on the social and political functions of colonial portraiture. She is the researcher behind ColonialVirginiaPortraits.org, a digital project produced in collaboration with the Omohundro Institute of Early American History & Culture. Her research has been supported by fellowships from Colonial Williamsburg, the Virginia Museum of History & Culture, Winterthur Museum and Library, the Decorative Arts Trust, and the Museum of Early Southern Decorative Arts.
https://benjaminfranklinhouse.org/wp-content/uploads/2021/03/Charles-Willson-Peale.jpg640502Megan Kinghttps://benjaminfranklinhouse.org/wp-content/uploads/2018/05/bfh_web_logo_white_retina.pngMegan King2021-03-22 13:43:092021-05-26 13:55:41Franklin in Portraits: Charles Willson Peale after David Martin
Printer, philosopher, author, scientist and inventor. These are among the guises of the famous Dr. Franklin. But Benjamin Franklin House Director, Dr.Márcia Balisciano, will argue his role as a diplomat was among his most important and lasting contributions. She will trace the beginnings of his diplomatic career in Philadelphia, to his presiding over the first de facto American embassy at 36 Craven Street, beforeleading at the French Court and building consensus, toward the end of his life, at the Constitutional Convention.
https://benjaminfranklinhouse.org/wp-content/uploads/2020/05/490px-Benjamin_Franklin_by_Joseph_Duplessis_1778.jpg600490Megan Kinghttps://benjaminfranklinhouse.org/wp-content/uploads/2018/05/bfh_web_logo_white_retina.pngMegan King2021-03-19 15:46:152021-05-05 13:22:06House Talk: Benjamin Franklin and the Art of Diplomacy by Dr Márcia Balisciano
Polly Stevenson Hewson was the daughter of Benjamin Franklin’s landlady at 36 Craven Street. A surrogate daughter to Franklin, they had an enduring friendship that remained even after he left London in 1775. In fact, all Polly’s descendants became American thanks to Franklin as House Operations Manager, Caitlin Hoffman, will reveal. Discover how this little-known, yet importantfigurein Franklin’s life, is central toour Historical Experience.
https://benjaminfranklinhouse.org/wp-content/uploads/2021/03/Polly-Hewson.jpg362286Megan Kinghttps://benjaminfranklinhouse.org/wp-content/uploads/2018/05/bfh_web_logo_white_retina.pngMegan King2021-03-19 15:45:062021-03-19 15:45:06House Talk: The Life of Polly Hewson
To celebrate the anniversary of Benjamin Franklin’s famous kite and key experiment, join Benjamin Franklin House in partnership with Christ Church Philadelphia, Franklin’s parish church, for a transatlantic panel discussion on the lightning rod and why it was one of the greatest inventions of the 18thcentury.
https://benjaminfranklinhouse.org/wp-content/uploads/2021/03/Benjamin-West.jpg686512Megan Kinghttps://benjaminfranklinhouse.org/wp-content/uploads/2018/05/bfh_web_logo_white_retina.pngMegan King2021-03-19 15:44:542021-06-07 16:46:04Benjamin Franklin and the Lightning Rod
Join us for a presentation by our inaugural Lady Joan Reid Children’s Author in Residence, Professor Sarah B. Pomeroy, who will interviewed by Lynn Sherr about her book, Benjamin Franklin, Swimmer (American Philosophical Society Press 2021), inspired by Franklin’s love of swimming, and one of his first inventions, swimming fins!
Professor Pomeroy, a Distinguished Professor of Classics and History Emerita at the City University of New York, is an accomplished author of numerous books, articles, and reviews on the topic of Women in Antiquity, including the classic Goddesses, Whores, Wives, and Slaves: Women in Classical Antiquity. She has won many awards, including the Ford Foundation Fellowship, Guggenheim Fellowship, the National Endowment for the Humanities Fellowship, and a Mellon Foundation Fellowship. Her pioneering work has been instrumental in our understanding of women in history.
Lynn Sherris an award-winning broadcaster and author who spent more than thirty years at ABC News. She reported on the NASA space shuttle program from its inception in 1981 through the Challenger explosion in 1986. Sherr’s numerous awards include an Emmy, two American Women in Radio and Television Commendation awards, a Gracie Award, and a George Foster Peabody Award. Her books include Swim, Outside the Box, and America the Beautiful, among others.
https://benjaminfranklinhouse.org/wp-content/uploads/2021/03/Benjamin-Franklin-Swimmer-book-cover-1.png569780Megan Kinghttps://benjaminfranklinhouse.org/wp-content/uploads/2018/05/bfh_web_logo_white_retina.pngMegan King2021-03-19 15:44:292021-05-26 13:57:31Virtual Talk: Sarah Pomeroy, Children's Author in Residence
To accompany our virtual exhibition, Franklin in Portraits, join us for the second in a series of talks about Benjamin Franklin’s most famous portraits over the years. Find the exhibition on the free Bloomberg Connects app.
This portrait commemorates Benjamin Franklin’s famous kite and key experiment and the invention of the lightning rod but was painted after Franklin’s death in 1790. It was originally meant to be part of a larger piece for the Philadelphia Hospital, an institution founded by Franklin. West met Franklin when he was in London as the second president of the Royal Academy of Arts.
Dr George Boudreau is a cultural historian of early Anglo-America, specializing in the history of Philadelphia, the work of Benjamin Franklin, material culture, and public history. Boudreau was the founding editor of the journal Early American Studies, and has won six major grants from the National Endowment for the Humanities. He was a fellow at Fred W. Smith National Library for the Study of George Washington in 2019-20 and has previously completed fellowships at the Jamestown Rediscovery and the Omohundro Institute for Early American History and Culture at Williamsburg, the International Center for Jefferson Studies at Monticello, the Library Company of Philadelphia, Winterthur Museum and Library, the American Philosophical Society, and the David Library of the American Revolution. A 1998 Ph.D. from Indiana University, he is currently senior research associate at the McNeil Center for Early American Studies at the University of Pennsylvania and is a member of the Academic Advisory Panel for Benjamin Franklin House.
Carol Eaton Soltis is Project Associate Curator in the Philadelphia Museum of Art’s Department of American Art. Focusing on its collection of antebellum portraiture and portrait miniatures from the 18th to the 20th century, she also oversees the museum’s remarkable collection of the art by America’s first artistic dynasty, the Peale Family.
She received her doctorate in the History of Art from the University of Pennsylvania with a dissertation titled, “‘In Sympathy with the Heart,’ Rembrandt Peale, an American Artist and the Traditions of European Art.” As author of the first substantive catalogue and exhibition on Rembrandt Peale, Rembrandt Peale, A Life in the Arts (Historical Society of Pennsylvania), she later joined the Smithsonian’s Peale Family Papers, where she assembled a catalogue raisonné of Rembrandt’s work and co-curated the National Portrait Gallery’s exhibition, Rembrandt Peale, 1778-1860, In Pursuit of Fame.
Her most recent book, The Art of the Peales, Adaptations & Innovations, published by Yale University Press, is an in-depth catalogue of PMA’s unparalleled Peale Collection, which contains oil portraits, watercolor on ivory miniatures, still life pictures, landscapes, drawings and prints by fifteen different Peale artists spanning the 1770’s into the 20th century. Written as a narrative, to highlight the connections between the individual artists and their work, it was honored in 2018 by The Athenaeum of Philadelphia as an “outstanding work of non-fiction by a Philadelphia author.” Her most recent article, “Yarrow Mamout and the Charles Willson Peale Portrait of 1819,” appeared in The Muslim World, A Journal Devoted to the Study of Islam and Christian-Muslim Relations, Special Issue: Black Muslim Portraiture in the Modern Atlantic, Guest Editor, Zain Abdullah, v. 110, no. 3 (Summer 2020).
Aside from lectures and articles on a variety of nineteenth century American artists, she co-curated and co-authored the exhibition and catalogue, Thomas Sully, Painted Performance (Milwaukee Art Museum and Yale University Press, 2013). The first major exhibition of Sully’s work in thirty years, it examined his portraiture in the context of his life-long interest in the theatre and integrated his subject pictures into a consideration of his career and artistic production.
As part of the team that has been working on the re-interpretation and dramatic re-installation of PMA’s new American galleries prior to 1840, she is anxious for their scheduled opening this May. Dr. Soltis has served as a trustee of the Historical Society of Pennsylvania and is a trustee emerita of the Library Company of Philadelphia, which was founded by Benjamin Franklin in 1731. She is also a partner in the digital database project, Reconstructing Philadelphia’s Earliest Museums, 1774-1827 with Dr. John Van Horne, Emeritus Director of The Library Company of Philadelphia. Their project will document the contents of the museums of Pierre Eugène Du Simitière and Charles Willson Peale and is hosted by the American Philosophical Society, another Philadelphia Institution founded by Franklin (1743).
https://benjaminfranklinhouse.org/wp-content/uploads/2021/03/Benjamin-West.jpg686512Megan Kinghttps://benjaminfranklinhouse.org/wp-content/uploads/2018/05/bfh_web_logo_white_retina.pngMegan King2021-03-19 15:44:082021-04-16 11:38:51Franklin in Portraits: Benjamin West
In 1722, at the age of just 16, Benjamin Franklin adopted the persona of Silence Dogood, an elderly widow, in order to publish something in his brother’s newspaper. The 14 letters which followed, filled with satirical wit, were extremely popular with New England Courant readers and are an early indication of Franklin’s brilliance. Join Education Manager, Eleanor Hamblen, for an exploration of the works of Silence Dogood!
https://benjaminfranklinhouse.org/wp-content/uploads/2021/03/Silence-Dogood.jpg260500Megan Kinghttps://benjaminfranklinhouse.org/wp-content/uploads/2018/05/bfh_web_logo_white_retina.pngMegan King2021-03-19 15:43:072021-03-19 15:43:07House Talk: The Story Behind Benjamin Franklin’s Infamous Pen Name, Silence Dogood
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